Operas usually put the focus on music over story, whereas musicals do the reverse. While operas are usually sung-through and musicals usually contain dialogue, Die Zauberflöte contains dialogue, while Hamilton is sung (or rapped) throughout. In the music world, the distinction between musicals and operas is a thorny one that plagues music students, audience members, and professionals alike.Īttempts to define musicals as distinct from operas (or vice versa) tend to be all-too-easily undone with any of a number of counterexamples. In this modern age when academics seem to eschew most binaries, it may seem impossible to say what anything is anymore.
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